TRIUMPH OF THE WILL - Adolf Hitler, Leni Riefenstahl, & National Socialism. A Film Review.
Triumph of the Will, Socialist Holocaust, Wholecaust, Wholecost, Adolf Hitler, Leni Riefenstahl, Nazism, Fascism, Socialism, Socialist Symbols of Hate !
Swastikas Swastikas

Leni Riefenstahl, Triumph of the Will, socialist Holocaust, Wholecaust, Wholecost, Adolf Hitler, Nazism, Fascism, Socialism, Communism, The Socialist Trio of Atrocities!

Support the virtual Wholecaust Museum and build the physical Wholecaust Museums that will document the worst atrocities in history.
Pledge of Allegiance in frightening images and articles at
For fascinating information about symbolism see 
Hear audio on worldwide radio at

The disgusting film "Triumph of the Will" ranks down with the book "Mein Kampf" by Adolf Hitler and with "The Communist Manifesto" by Karl Marx and the little "Red book" by Mao (each also available). and see the review of "Mein Kampf."

Many people try to single out Hitler as unique, but it is unfortunate that he was matched or surpassed in monstrosity as a member of the socialist trio of atrocities (Hitler, Mao, Stalin) that led to the socialist Wholecaust (of which the Holocaust was a part): ~60 million killed by the Union of Soviet Socialist Republics, ~50 million by the Peoples' Republic of China, ~20 million by the National Socialist German Workers' Party.

The National Socialist German Workers' Party and the Union of Soviet Socialist Republics joined as allies in 1939 to invade Poland in a pact to divide up Europe. Before, during and after the National Socialist German Workers’ Party, the Union of Soviet Socialist Republics killed even more people.  The Peoples’ Republic of China then followed with more slaughter. Stalin, Mao and Hitler qualify as a true tragedy.  The slaughter was so large that Holocaust Museums would quadruple in size and scope as Wholecaust Museums. Fight the Holocaust deniers and the Wholecaust deniers.  

The 1934 film, directed by Leni Riefenstahl, was propaganda for the sixth annual congress of the National Socialist German Workers' Party in Nuremburg. The film had a big impact on Germans, especially young Germans.

In both the film and in the book "Mein Kampf," the word "socialist" is used constantly throughout to promote the dogma. The words "fascist" and "Nazi" are never used -not a single time- in reference to the National Socialist German Workers' Party.

The socialist cliches are so thick they are comic, and it is impossible to forget (once it is heard) the phrase "Present Shovels!" barked to the industrial army of adoring "worker-soldiers" each carrying his G.I. shovel as though it was a gun.  The only thing missing at that point of hilarity is a choreographed dance routine with the ditch-diggers. (Who could resist mentioning here that Hitler had a family name of schickelgruber?).  The glorious comrades needed their "weapons" to shovel all the socialist manure piling up in "Triumph."   It is unfortunate that the shovel army was later used to bury the victims of the incredibly deadly dogma.  

"Triumph" contains references to God, and Hitler informs the assembled masses that he is on a God-given mission and that "the Party will be like a religious order."  Hitler was a preying person.

The similarities are terrifying when compared to dogma preached by Francis Bellamy and Edward Bellamy in the USA from 1888.  Francis Bellamy was a preacher, and both Bellamys were part of the "Society of Christian Socialists."  The Bellamys were self-proclaimed national socialists who supported the "Nationalist" magazine and the "Nationalist Educational Association" in the USA three decades before the Nazis began.  The Bellamys idolized the military and openly advocated "military socialism" to create an "industrial army" to nationalize the entire economy, including all schools.  Francis Bellamy created the straight-arm salute as part of the original pledge of allegiance to the USA's flag as discovered by the historian Dr. Rex Curry.  It salute did not come from ancient Rome. Photos can be viewed via a web search for "original socialist salute" and at  Francis Bellamy wanted flags in government schools to promote nationalization and socialism. It was a philosophy that led to the socialist Wholecaust (of which the Holocaust was a part) where millions were murdered.  That is why the Bellamys are known as America's Nazis.

Government schools teach that the pledge was created to sell flags to schools and Francis Bellamy is described as an advertising pioneer.  That is a whitewashed piece of the whole story.  A better description is that Bellamy was a propaganda pioneer, comparable to Leni Riefenstahl.

"Triumph" shows repetitive use of the infamous straight-arm salute of the National Socialists. Some scenes appear to show the straight-arm gesture delivered with a military-style salute to the heart before extending outward, or after retracting.  That also has a prior history in variations on the pledge of allegiance in the USA.

The salute appears in Leni Riefenstahl's Triumph of the Will (1935) and Olympia (1938). The impact of the 1935 film gave many people the misimpression that the gesture originated with the National Socialists in Germany.  Later, in 1937's Scipione l’Africano, director Carmine Gallone used the salute as visual tool to turn Mussolini into a new Scipio. Later still, the "Roman" salute myth was enlarged in Quo Vadis (1951 Mervyn LeRoy) whose triumph sequence is modeled on Triumph of the Will, replete with the socialist salute.

The film includes soundbites of Bellamyisms from speeches given by various national socialists. The film tries to show how the German people pledged their loyalty to the Nazi-Sozis.  In keeping with their socialist dogma, Hitler is praised as an "epitome of altruism" and the speakers refer to each other as "comrades" who will cause a "revolution of the people and workers" to end "class struggle" and create "egalitarianism."

Many people forget that "Nazi" means "National Socialist German Workers' Party" because the shorthand is overused by media mouthpieces who never say the actual name of the Party.  A good mnemonic device is that the swastika was used as intermeshed "S" letters for "socialism" under the National Socialist German Workers’ Party, a news-breaking discovery by the Dr. Curry.

The film shows repetitive use of the word "victory" which in German is "sieg" and related to the "S"-shaped "sieg" rune used in their symbols in the film, including the Hakenkreuz.  The book "Mein Kampf" might contain Hitler's only written comments about the "swastika." It is a brief section and can be interpreted as Hitler stating that the Hakenkreuz was used as alphabetic symbolism of overlapping “sig” or “sieg” runes representing "S" letters for "socialism" or the "socialist victory."

Although the swastika was an ancient symbol for "good luck" in India, that is not why it was used by the National Socialist German Workers' Party. The swastika as a symbol for "socialism" is also shown elsewhere in many of their posters, flags, banners, books, medals and other paraphernalia. Adolf Hitler's signature evolved into "S Hitler" for "socialism" as shown in a recent discovery by Dr. Curry.

Here is another interesting fact: the word "swastika" does not appear in the film nor in the book (in the German version). Only the term "Hakenkreuz" (hooked cross) is used. "Swastika" was a bad English translation of "Hakenkreuz."

The film also shows other symbols that most people have never seen and never will.

Some educated socialists (socialists who know the origin of the pledge) laugh at so-called conservatives who support robotic pledging in government schools, because socialists know that most "conservatives" in the USA have been duped into supporting socialism and are ignorant of the pledge's socialist origin. Conservatives don't arise each morning to gather with neighbors and robotically chant, as they only "love" the pledge when government's schools lead children in robotic chanting every morning for twelve years of their lives upon the ring of a bell, like Pavlov's lapdogs of the state.

The Bellamys advocated a government takeover of education. After the government took over education, segregation was imposed by law and became institutionalized by government in its schools and racism was taught as official policy. During that time children in government-schools were required by law to salute the flag with the straight-armed salute in military formation daily on the ring of a government bell, like Pavlov’s lapdogs of the state.  It is an ominous parallel that is covered-up in government schools in the U.S. and neither the schools nor the media will ever show a historic photograph of the original pledge of allegiance.

The bizarre practices served as an example for three decades before they were adopted by the National Socialist German Workers’ Party. Two years after "Triumph," Jesse Owens competed in the 1936 Olympics in Germany, while his fans attended segregated government schools where they saluted the flag with the Nazi salute.  As under Nazism, Jehovah's Witnesses (and blacks and the Jewish and others) in the USA were required by law to perform the Nazi salute in the USA and robotically chant the pledge.  If they refused, then they were expelled from government schools and had to use the many better alternatives.  There were also acts of physical violence.

The shovel brigade in "Triumph" is a reminder of how the National Socialists built highways as make-work programs and government boondoggles.  It is an ominous parallel that the USA followed the example.  

During the period of the National Socialists in Germany, the USA's federal government was growing massively and attempting to nationalize the economy in many ways.  The US Supreme Court struck down much of the copycat legislation as unconstitutional until justices were pressured by the "switch in time that socialized nine" under the USA's worst president, the socialist FDR.

In 1935, the USA's government stepped onto the same path with the social security scam and its Nazi numbering at the height of Nazi power in Germany.

Some modern proposals for social security reforms would invest social security taxes in private businesses and provide an avenue for the government to nationalize all private businesses in addition to schools. It is a scheme that would impress the Bellamys. It is an avenue that President Bush advocated that would nationalize the entire U.S. economy. Republican-socialists support the Nazi-like scam because they don't have the ethics nor intellectual honesty to do the right thing: end government involvement in education, and end the social security scam, its taxes and its Nazi numbering.

After WWII ended, the government's schools in the USA continued segregation and racism, stopping in the 1960's.  The USA also continued its Nazi numbering and its robotic pledge, with no stopping.

Thereafter, the Bellamy legacy caused more police-state racism of forced busing that destroyed communities and neighborhoods and deepened hostilities.

Today, the USA numbers babies, and government schools demand the numbers for enrollment, and the numbers track homes, workplaces, incomes, finances, and more, for life.  School laws still tout the daily pledge, a bizarre ritual shunned by every other country. 

The film's cinematragraphy shows how socialism is pure Hollywood.  Socialism is conceited politician-actors delivering prepared lines and pretending to create food, clothing, and shelter on film.  In the reality off camera, their socialism destroys food, clothing and shelter and kills millions.  To Hell with Hitler, his socialism and all socialism.

Overall, the film and the book that preceded it are both terrifying.


Helene Bertha Amalie "Leni" Riefenstahl (August 22, 1902 – September 8, 2003) produced films for Adolf Hitler. She was given the nickname "Leni" as a reference to V. I. Lenin (who died years earlier, in 1924).  The nickname started after joking remarks concerning the relationship between the leader of German National Socialism and his twin, the leader of Soviet Socialists "Joseph Stalin."  "Stalin" means "steel" and "Riefenstahl" means "scoring steel." The nickname with Leni's last name was a reference to the effect of her film work for socialism.


Kopf Hoch, Johannes! (1941?)

"Chin Up, Johnny!" is about Johannes, a boy from a privileged family, just the kind of boy that was reviled as bourgeois by the National Socialist German Workers' Party.  He doesn't understand the importance of "kamaradeschaft" (comradeship) and sacrifice. It seems he is initially resistant to joining the Hitler Youth (HJ), but ultimately is sent to an HJ camp where at last he becomes a dedicated Hitler Junge.  

(Der) Marsch zum Fuehrer/The March to the Fuehrer (1940)

Der Marsch zum Fuehrer ("The March to the Fuhrer") produced in 1940. Der Marsch, approximately one hour in length, shows actual Hitler Youth marching toward Nuremberg for the annual Party Day Rally. Each summer thousands of Hitler Youth (HJ) marched from their hometowns down German roads to meet en mass at Nuremberg to join in the yearly Nazi Party Congress. Goebbels in 1940 produced this film memorializing the HJ as they join in the meeting. The film includes a segment about one HJ member dining with a host family at a pause in the trip; the family asks questions and the youngster tells the audience about the HJ and the meeting. The main event in the film is the rally, with speeches by Hitler and Baldur von Schirach, the head of the HJ.  The climax of the year for National Socialists and older HJ members was the annual Nuremburg event.

The German government still follows some policies of the National Socialists in that it dictates what films may be shown, and it does not permit the general display of many films like these in Germany. They are sometimes used for restricted "educational" purposes. Sometimes excerpts are shown in documentaries.

Victory of Faith ? (Sieg Des Glaubens)  Triumph of the Will ?
Daniel Ruth Tampa Tribune was educated by about the sick socialist swastika, ditto for Elaine Silvestrini
Victory of Faith ? (Sieg Des Glaubens)  Triumph of the Will ?

Universum Film AG UFA Leni Riefenstahl Triumph of the Will

Leni Riefenstahl's film "Triumph of the Will" is shown in a poster that also shows the UFA symbol for Universum Film AG.

The UFA was the principal film studio in Germany during the Weimar Republic and through World War II.

The UFA symbol reflects similar stylized alphabetical symbolism to that of the swastika's use as crossed S-letters for "socialism" under the National Socialist German Workers Party (NSGWP), as shown in the work of Dr. Rex Curry (author of "Swastika Secrets").

UFA was created in November 1917 in Berlin as a government-owned (socialist) producer of World War I propaganda and public service films. It was created through the consolidation of most of Germany's commercial film companies, including Nordisk and Decla.

In 1921 UFA was de-socialized (privatized).

UFA work included that from the studio of the bergfilm, a German genre that romanticized mountain climbing,  downhill skiing, and outdoor activity. Examples of the bergfilm genre are The Holy Mountain (1926) and White Ecstasy (1931), notable for the appearance of Austrian skiing legend Hannes Schneider and a young Leni Riefenstahl.

UFA was taken over by Alfred Hugenberg in March 1927. Hugenberg was connected to Krupp and sympathetic to the National Socialist German Workers Party, and the company became a producer of propaganda films for Socialism after Adolf Hitler took power in 1933. Joseph Goebbels' ministry of propaganda controlled the content of UFA films through political pressure and threat. Because of that environment, Fritz Lang, like many of his UFA colleagues, would soon leave Germany to work in Hollywood.

During the 1930s, as the National Socialist Party gained power, UFA produced odious examples of anti-Semitic and socialist propaganda. In 1937 the Nazis bought up 72% of UFA's shares. In 1942 the company was totally nationalized/socialized by the Third Reich as a  socialist monopoly under which were absorbed all other production and distribution companies and studio facilities active at that time.

A photograph shows writer-director Fritz Lang and his wife, writer Thea von Harbou, who together created many of UFA's most noted films, in their Berlin apartment in 1923 or 1924. Note the Hakenkreuz/swastika motif in the wall-hanging and in the table.

Universum Film AG UFA Fritz Lang, Thea von Harbous, Leni Riefenstahl Triumph of the Will

Triumph of the Will ?
Triumph of the Will? Victory of Faith? Pledge of Allegiance ditto for Elaine Silvestrini
Triumph of the Will? Victory of Faith? (Sieg Des Glaubens)